巴布亚新几内亚是南太平洋最大的岛国，拥有火山、密林、瀑布与河流，800多个部落生活其间。这里的黑人却是南太平洋最早的居民，部落风俗与传统延续至今。在大海的包围中，巴布亚人与奇妙自然和谐相处。越过原始热带雨林，首都莫比斯港， APEC会议中心已经建设完成，道路建设正在紧张施工进行中。作为2018年APEC峰会的举办地，巴布亚新几内亚正展露出另外一种姿态，努力摆脱原始和贫困，在梦想中拥抱未来。本片借助真实纪录影像，从自然、民族、文化、历史等多个角度探寻神秘而充满魅力的南太岛国巴布亚新几内亚。

In the film there are gestures that invite us to move into step with them, abandoning the comfort of the known and giving ourselves over to so many strange partners. This silent short begins in a domestic environment, moves to a party scene, and ends with modern dance performed in an outdoor setting. The film’s continuity is established by an emphasis on gesture and/ or dance throughout.

In the film there are gestures that invite us to move into step with them, abandoning the comfort of the known and giving ourselves over to so many strange partners. This silent short begins in a domestic environment, moves to a party scene, and ends with modern dance performed in an outdoor setting. The film’s continuity is established by an emphasis on gesture and/ or dance throughout.

The ageing Countess discovers that the blood of a maid can temporarily restore her youth and great beauty. She falls in love with a dashing young soldier but is compelled to kill again and again to maintain her attractiveness and prevent the secret getting out.

Fernando Arrabal编剧和主演的超现实电影。 　　Casanova lives in the suburbs with his mother. He has grown up without ever ceasing to be a child over whom she watches jealously. He is nothing without her, yet he dreams of leaving home and meeting women. They loathe and adore each other. Every day he goes to the Gare Saint-Lazare, often taking with him a wicker trunk containing a rubber dummy which he sends off to some distant country. In this way he sends the doll on the journey he dreams of making himself. One day a coincidence brings him into contact with a woman. A thief is being chased, and a woman speaks to him. A street photographer takes their picture. They part, but Casanova is happy, and in the evening when his mother clearly senses that something has happened to him he shows her the ticket for the photo, just to taunt her: yes, he knows a woman. Her name is Syl. What he does not know is that Syl too has been waiting for him. She has a rich lover, but she does not love him and she dreams of something more exciting, just as Casanova does. Behind his shyness and aggressiveness she senses a disturbing quality in the young man which attracts her. If he is a dangerous sadist, even a potential murderer, so much the better. She follows him into a shop basement to give herself to him, and there, amid a mass of flowers, a savage struggle takes place; they seize each other, then reject each other, fight furiously... The mother has com to Paris in search of the photograph. When she sees her son with a woman she cannot contain her fury and she goes to the police and accuses him of killing women and putting their bodies in trunks. She gives details. The police promise to make inquiries. Syl follows Casanova back to his suburb. He wants to flee, but she pursues him, and they meet at a garbage dump near a motorway. She crawls to his feet, he goes to push her away but then undresses her. She has to submit completely to him, to accept everything he does to her; she is forced to cross the motorway naked, as the cars pile into each other. He throws her down in the mud, covers her unconscious body with her clothes and goes back to his mother and his childhood home. He returns to his attic full of dolls. His mother is waiting for him, full of love and hatred, but he has nothing to say to her; he is waiting for Syl. One of the dummies looks like her, and in a bust of schizophrenic frenzy he possesses and then smashes it. At last when Syl returns, they are bound together in the Great Ceremony. The room becomes a place of magic, the cupboards open to reveal every instrument of love and torture... Outside the door, the mother screams in terror. After burning the dolls, Casanova drags Syl out to the car. They are going away for ever. ... At an abandoned farm, a happy Syl is busy putting life back into the ruins. She is teaching Casanova how to be gentle, and how to be strong. She is teaching him to be happy. 　　Based on love, violence, and eroticism taken at their most horrifying extremes, the theater of Arrabal is a permanent demonstration of the state of our inner minds with their tangle of sadism, masochism, frustration and repressed hatred.

这是勒莫汉·杰里迈亚·摩西（Lemohang Jeremiah Mosese）童年的诗意寓言，是对电影的颂歌，也是对他母亲内心的致敬。摩西通过碎片化的叙事和神话般的意象，构建了一场关于错位与归属感的令人难忘的反思。

这是勒莫汉·杰里迈亚·摩西（Lemohang Jeremiah Mosese）童年的诗意寓言，是对电影的颂歌，也是对他母亲内心的致敬。摩西通过碎片化的叙事和神话般的意象，构建了一场关于错位与归属感的令人难忘的反思。